Kronika avantura ekscentrične, čvrsto povezane obitelji, film DVORAC OD STAKLA, nevjerojatna je priča o bezuvjetnoj ljubavi. Oskarovka Brie Larson donosi nam najprodavanije memoare Jeannette Walls u kojima mlada djevojka, pod utjecajem divlje prirode svog disfunkcionalnog oca (Woody Harrelson), pronalazi vatrenu odlučnost da skroji uspješan život po svojim pravilima. Film info Trajanje filma: 02:07:00 Distributer: Blitz Film&Video Datum izlaska: 11. Kolovoz 2017. U kinima od:. Web stranica: Nema informacija Na DVD-u od: Nema informacija Na Blu-rayu od: Nema informacija. Kultura NAGRADNI NATJEČAJ: Ovo su dobitnici 3X2 kino-ulaznice film za DVORAC OD STAKLA Oskarovka Brie Larson donosi nam najprodavanije memoare Jeannette Walls u. Kronika avantura ekscentrične, čvrsto povezane obitelji, film DVORAC OD STAKLA, nevjerojatna je priča o bezuvjetnoj ljubavi. Oskarovka Brie Larson donosi nam. DVORAC OD STAKLA (The Glass Castle), Destin Daniel Cretton, biografija / drama, SAD, 2017., 127', Glume: Brie Larson, Woody Harrelson, Naomi Watts. Dvorac od stakla - Kronika avantura jedne ekscentrične i čvrsto povezane obitelji - Pogledajte video i opis za film Dvorac od stakla (The Glass Castle).
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Mark Before After Asterisk before word............................. 1 space No space Asterisk after word.............................. No space 1 space Colon....................................... 1 space 1 space Comma..................................... No space 1 space Decimal comma................................ No space No space Dash (em)................................... 1 space 1 space Ellipsis points at beginning of sentence............... No space 1 space Ellipsis points in middle or at end of sentence........... No space 1 space Exclamation mark.............................. No space 1 space Oblique...................................... No space No space Parenthesis/bracket (opening)..................... 1 space No space Parenthesis/bracket (closing)..................... No space 1 space Period...................................... No space 1 space Question mark................................. No space 1 space Quotation mark (opening)........................ 1 space 1 space Quotation mark (closing)......................... 1 space 1 space Semicolon................................... No space 1 space See for information on the presentation of French quotations and translations. See for the presentation of bibliographic entries. See for the presentation of French names in indexes. © Public Works and Government Services Canada, 2018 TERMIUM Plus ®, the Government of Canada's terminology and linguistic data bank Writing tools – The Canadian Style A product of the Translation Bureau. French-Canadian Authors: A Bibliography of Their Works and of English. Litterature en Collection 'Petit Format' 1944. Research Area, Titles A-Z. Running time 90 minutes Country United States Language English Budget $20 million Box office $136.1 million Saw 3D (also known as Saw: The Final Chapter, or simply Saw VII) is a 2010 American directed by, written by and, and starring,,, and. It is the seventh (and originally intended final) installment of the, and the only film in the series to be in 3D. The film focuses on a man who falsely claims to be a Jigsaw survivor, becoming a local celebrity. However, he soon finds himself part of a real Jigsaw game where he must ultimately save his wife. Meanwhile, reveals to an that rogue is the man responsible for the recent Jigsaw games, and Hoffman hunts her down. An eighth installment was planned, but the decrease in the compared to previous installments led to Saw 3D being the final planned film in the series, and the plot concept for Saw VIII being incorporated into Saw 3D. Director was to direct the film, but two weeks before filming announced that Greutert, who directed the sixth film, would direct. Took place in Toronto, Ontario from February to April 2010 and was shot with the SI-3D digital camera system, as opposed to shooting with traditional cameras and later transferring to 3D in. Saw 3D was originally scheduled to be released in the United States and Canada on October 22, 2010, but was pushed back a week from its original release date of October 22, 2010, to October 29, 2010; it was released a day earlier in the United Kingdom and Australia. Saw 3D opened at number one making over $22.5 million. It was eventually followed by an eighth film,, in 2017. Contents • • • • • • • • • • • • • • • • • • • Plot [ ] Two men, Brad and Ryan, wake up in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw, and a informs the men that they can either kill each other or let Dina die. They initially fight each other, during which Brad is cut by the saw, but ultimately choose to allow Dina to die instead. After witnessing 's survival, Jill Tuck meets Matt Gibson, an internal affairs detective from the precinct where he works, and incriminates him in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman for years agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang – Dan, Evan, Jake and Kara – and places them in a junkyard trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is later put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom, Hoffman abducts Bobby Dagen, a guru who achieved fame and fortune by falsifying a story of his own survival. He sends Gibson some videos with cryptic clues to the game's location, offering to end the games if Jill is given to him. Dagen awakens in a cage in an abandoned asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale, his best friend and co-conspirator, all in separate traps representing the and they are killed despite Dagen's efforts to save them. After removing his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to have survived: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails nonetheless, and is forced to watch as a capsule closes around Joyce and incinerates her to death. Gibson eventually discovers the game's location and sends a team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sitting in front of several monitors connected to the police headquarter's security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but an automatic rises up and kills him along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing her jaws apart. After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Lawrence Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, which contained a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the from the first film and shackled by the ankle to a pipe. When Gordon appears, he throws the he used to sever his own foot out the door, turns off the lights, and seals the door, leaving Hoffman to die. A scene being constructed at the of Toronto in April 2010. Reported in July 2009 that Lionsgate Saw VII and announced would return to direct, his last film being. Producers and, and writers and also returned. Brian Gedge replaced series' David Armstrong. Began on September 14, 2009. According to Melton, there were plans to title the film Saw: Endgame. Originally two sequels were planned after the sixth, but in December 2009 Melton stated in a interview with the UK radio station that Saw VII was the final installment and would address unanswered questions from previous Saw films, such as the fate of the 's protagonist and other Jigsaw survivors from previous films, while bringing a final resolution to the series. The storyline for a Saw VIII was combined into Saw VII; this decision was primarily due to. On July 22, 2010 in an interview with the producers confirmed that Saw VII will officially end the film series. Burg told that, 'In every Saw movie, we left questions open and in Saw VII we answer every question the audience has ever had'. Jigsaw Full Movie. Country: USA Year. ‘Saw VIII’ will arrive in Spain on November 24 of this year. The new installment of ‘Saw’. He added that, 'even new viewers will be able to follow and get caught up to speed'. In January 2010,, who made his directorial debut with the sixth film, was about to begin work on 's when suddenly dismissed Hackl and forced Greutert on the project by exercising a 'contractual clause' in his contract, much to Greutert's dismay. When Greutert arrived on set two weeks before filming began, he performed a 'compressive re-write' of the script. Melton explained that, 'He has a lot of ideas, but it's a bit hard and extreme to implement all of these ideas because sets have been built, people have been cast, props have been bought or created, and with the Saw films they are so specific in set design because of the traps. It becomes very problematic and difficult to change things a whole bunch right in the middle of it'. Saw 3D was originally intended to be two separate films. According to Melton and Dunstan, 'It was our original intention to make the final Saw in two parts, but when [Saw] VI didn't do so well, the studio got nervous and we were only allowed to make one more.' (Joyce) at the film's premiere. Casting began in mid-December 2009. On February 22, 2010, was listed on the Toronto Film & Television's official list of personnel website for Saw 3D but on March 8 his name along with other cast members were removed from the list. The following month, Lionsgate confirmed his reprisal of the role of, last seen in. Dunstan and Melton said that Elwes filmed new scenes. The filmmakers wanted to bring Elwes back earlier, but Elwes wanted to wait until the last film. He described his character as having. Appeared in the film as Internal Affairs, who was also Hoffman's former partner., who won the second season of, plays in the film., the lead vocalist of the band, has a role in the film playing, a. Bennington met with an acting coach to prepare for his role. He said, 'It was actually a little more difficult than I expected because it took a lot for me to figure out how to portray this guy and what exactly his motives were going to be throughout. I thought maybe I was overthinking it, and I met with this really great acting coach who helped me walk through and make sense of the, 'Motivation' '. Was offered to reprise his role as from Saw VI, but turned it down due to scheduling conflicts. Filming in 3D [ ] Saw 3D was shot entirely in using the SI-3D digital camera system; rather than filming on set traditionally and later transferring the footage to 3D. Before choosing 3D, Burg and others viewed a minute of the original Saw film rendered in 3D and were pleased, which led to them choosing 3D for the seventh film. The sets and traps were designed to take advantage of 3D. To continue the fast pace of the previous films, the SI-3D cameras' light weight allowed three-quarters of film to be shot. Saw 3D was Greutert's first time directing a 3D film. He said in an interview with that composing a shot in 3D was tricky compared to 2D; he explained, 'If you've got both cameras looking at a subject and there's a very bright sheen on the side of the person's arm that only one camera can see, there's a good chance that when you look at a composite of the two images that sheen will not register in 3D space. It looks like a mistake. These things aren't an issue at all in 2D but in 3D are obsessively problematic'. Given the cost of filming in 3D, Greutert said the budget was $17 million, the most expensive of the series. Began on February 8, 2010, in,, and wrapped on April 12, 2010. Filming took place mostly at Toronto's. Saw 3D director Kevin Greutert and his wife, actress Elizabeth Rowin, at 2010. When determining the style of 3D shooting they wanted to use, Burg felt that the audience would want several moments where objects move into the audience, comparing this to. He acknowledged that this method would be used, but expressed an interest in shooting from the victim's perspective, similar to that of video games being rendered in 3D. Dunstan added that 'It adds a whole new layer of discipline and criteria to creating these moments. We've had a very flat surface to try to get a reaction out of you. Now, we get to push out a bit and envelop the viewer, still maintaining the patterns that have worked and been successful, but also to raise it up a notch.' Commenting on the change to filming in 3D, Bell stated it would not affect his performance or methods of acting, noting that it would be an 'interesting experience'. Mandylor called the 3D shoot 'more tedious and longer'. Flannery described the 3D aspect as being '[not] shot in 3D so that you can, per se, see blood coming directly at you. It's in 3D for the texture and the depth, for the architecture, to get a sense that you're in the scene but there's no 'we want to see blood coming at the lens' it's nothing like that. But I think we made a good movie.' Services were provided. Traps [ ] Filming of the trap scenes, which was done last, began in March. The film's opening trap scene was filmed at in Toronto, Ontario, just outside, and included 400. In the trap, the circular saw blades were actually real and functional, but safety precautions were taken for the actors. One actor that was in the trap, Jon Cor, told Demon FM that he had scars on his hands from the shackles, and said the other actors, Sebastian Pigott chipped his tooth and Anne Lee Greene lost the feeling in her feet and had to receive medical attention. Producer told horror news website that there are eleven traps in the film, the most ever in the franchise. There is one 'trap' scene in the film that producers would not allow in previous Saw films that they described as 'too violent', 'too disgusting', and 'just wrong'. Melton later confirmed that was the 'Garage Trap', which involved a car and sets off a 'chain reaction' with other characters. Gabby West was part of the trap. She told, 'They molded my entire face, and basically my entire upper body after my belly button. They put layers and layers of different materials on you and you have two straws in your nose so you can breathe. It was so scary! They put so much of it on, you can't see and they put it in your ears so you can barely hear anything. That was part of the prep for the film, which was really cool, to have a dummy made of yourself. Over 25 gallons of was used in the film, which was two and half times more than. Music [ ] The was composed by and released on through Evolution Music Partners on November 2, 2010. The Saw 3D soundtrack is 'inspired by the film' and features music from rock bands including,,,,,, and 's. It was released through SonyMusic Independent Network (SIN) and Artists' Addiction Records on October 26, 2010. The song ' by was announced in the Production Notes, but was not actually played during the film's end credits. Track listing Saw 3D Original Motion Picture Soundtrack No. Title Writer(s) Artist Length 1. 'Never', Jason Null, Jared Weeks 2:59 2. ', Brad Warren, Brett Warren, 4:13 4. ' Ian Kenny, Steve Judd, Mark Hosking, Drew Goddard, Jon Stockman 4:38 5. 'Love Is Dead' 4:02 7. ',,,, Jacob Kasher, Jamaal Sublett, Matt Walst 3:42 9. ' Dave Benedict Danny Craig,, Jeremy Hora, Bob Marlette, 3:15 10. 'Fire Fly' Cameron Bailey, Jon Bolotte, Buddy Jackson, Brian Lenington I-Exist 4:24 11. ' Michiyuki Kawashima, Masayuki Nakano 4:30 12. ', Chris Von Rohr, Fernando VonArb 3:35 14. 'Ram The Crush' 3:32 16. ' 4:00 Total length: 58:48 Marketing [ ]. Bell promoting the film at 2010. On July 8, 2010, in some press materials for, the film was referred to as Saw 3D: The Traps Come Alive, which led to the media assuming it was the final name. The following day, Burg and Koules said that 'The Traps Come Alive' was simply a tagline that had been misinterpreted as part of the title. Koules said that if they included the seventh Roman numeral followed by '3D' ( Saw VII 3D), it would have been 'cumbersome' and not made the impact they wanted. He explained, 'It was such a process in 3D, so much hard work was put in. Saw VII 3D is too much. This is like a new movie. [.]' In the same interview, the producers addressed Saw 's presence at Comic-Con 2010 in San Diego. They said that the footage that was going to be used for the convention could not get approved for the audience; Koules explained, 'It's going to be different than what we've done before, we're going to be at Comic-Con but we're not in Comic-Con'.' The Comic-Con teaser trailer was released via on July 22, 2010. The next day of the convention, the first eight minutes of the film were screened for the press and a few fans. The trailer shown in the United Kingdom during a break from was banned after a ten-year-old child complained that it was 'distressing' and 'inappropriately scheduled'. Had cleared the trailer for 19:00, but did not actually air until 20:29. In one scene of the trailer, people in a cinema become trapped to the seats by metal restraints with a hand coming through the screen pulling a person in. The said it was 'likely to cause distress to young children'. In, a branch of showed Saw 3D instead of the cartoon, which was being watched by a seven-year-old celebrating a birthday. It took several minutes before the cinema employees fixed the mistake. Release [ ] Saw 3D was distributed theatrically by Lionsgate in the United States and through in Canada. The film was originally scheduled to be released on October 22, 2010, but in July 2010, three months prior to release, the date was pushed back to October 29. It also had preview screenings on October 28, 2010 in 2,000 locations. Since the release of Saw IV, each film has been released a day earlier in Australia and New Zealand; Saw 3D continued the tradition in Australia, though the New Zealand release was not released until March 3, 2011. The film was initially rated NC-17 (no children 17 and under admitted) by the (MPAA) and had to be six times to secure an. In Australia, the gave a heavy (restricted to 18 and over) for 'high impact violence, blood and gore', whereas all previous Saw films were rated MA15+ (with the exception of the director's cut version of Saw V). Censorship in Germany [ ] In Germany, its showing as a whole was banned from April 2012 until January 2013 because the Amtsgericht Tiergarten has noted that several scenes in the film violate the violence act §131 StGB. Private copies were still legal to own and personal use was not punishable; however any public screening was a highly prohibited and punishable act. There is a censored 'Keine Jugendfreigabe/No youth admitted' version, but it has all the violent scenes cut out. Retailing this copy is still legal, since 'KJ' rated films cannot be indexed/banned. In January 2013, the appellate court Landgericht Berlin revoked the original court order after, who own the distribution rights for Germany, had appealed against it. Home media [ ] Burg said in an interview with on October 25, 2010, that the DVD will only be released in the 2D version. Released Saw 3D: The Final Chapter on January 25, 2011, in three versions. The first is a standard DVD release consisting of the theatrical version of the film, a selection of bonus features and a second disc with a digital copy; a second edition is a 2D combo pack that includes an unrated, DVD and of the film. The last edition of the release is a 3D combo pack consisting of an unrated, Blu-ray, DVD, and digital copy version of the film. According to the chart, the DVD and Blu-ray formats placed number three in its first week. Reception [ ] Box office [ ] Saw 3D had preview screenings on October 28, 2010, in 2,000 locations and made $1.7 million. It opened in the following day in 2,808 locations playing on 3,500 screens, the second smallest release behind the first. The film earned $8,976,000 on its opening day, taking the number one spot from. It grossed $22,530,123 its opening Halloween weekend, with 92% of tickets coming from more than 2,100 3D-equipped locations and 57% of the audience being under the age of 25. It had the fifth best opening weekend in the Saw series. After only four days of wide release, Saw 3D had out-grossed 's $27.7 million final domestic gross. On its second weekend, the film dropped 66% in ticket sales and made $7.7 million, moving to the number five spot with taking its number one spot. Saw 3D closed on December 2, 2010, after 35 days of release in the United States and Canada. Saw 3D opened in 25 territories with $14.4 million (including preview screenings) placing first place in the (UK) with $5.8 million, beating 's $4.7 million UK opening. It opened in second place in Russia with $2.2 million; Australia and Japan grossed $909,000 and $864,800, respectively. Saw 3D grossed $12.8 million in the, and; $10.9 million in; $7 million in; $5.3 million in; and $2.4 million in. The film has grossed $45.7 million in the and, with $90.4 million in other markets, for a worldwide total of $136.1 million. This makes Saw 3D the highest-grossing film in the series in the foreign market. Also, it made more than double the amount of the previous installment and is the most successful film in the franchise since. Release date (United States) Budget (estimated) Box office revenue United States/Canada Other markets Worldwide October 29, 2010 $17,000,000 $45,710,178 $90,440,256 $136,150,434 Critical response [ ]. Attending the Saw 3D premiere at the on October 27, 2010. As with the previous four Saw films, Saw 3D was not screened in advance for critics. Review aggregation website gave the film a rating of 9%, based on 74 reviews, with an average rating of 3.1/10, making it the poorest rated film in the series. The site's consensus reads, 'Sloppily filmed, poorly acted, and illogically plotted, Saw 3D leaves viewers trapped in the most lackluster installment of the series.' Gave the film a score of 24 out of 100, based on 17 critics, indicating 'generally unfavorable reviews'. Luke Thompson of gave the film a 'B'. He called the film's gore 'over-the-top' and 'in your face' while admitting the film had an 'unusual amount of self-parody'. He said the central storyline of the films was beginning to feel 'played out'. Rob Nelson of gave the film a negative review. He called the film 'relentlessly repugnant' that would please fans, but offer no surprise. He went on to say, 'Apart from these limb-pulling setpieces, tech credits appear fairly shoddy, as do any 3D effects that don't include flying viscera. The editing relies on lazy flashbacks, while the dialogue remains as horrific as the killings.' Kim Newman of gave the film two out of five stars, calling it 'a step down from last year's much more pointed '. He criticized the repetition of the plot but thought bringing back Jigsaw survivors was a 'nice idea'. He closed his review with, 'There are a scattering of infallibly cringe-making horrors, but on the whole Saw 3D could do with more depth'. Eric Goldman of gave the film two out of five stars. He was unhappy with the little screen time Bell and Elwes had been given, saying that the time the film did spend with them didn't have much impact. He said the traps were a step down from Saw VI, but did point out his favorite and highlight of the film as the 'garage trap'. About the film's 3D effects, Goldman said 'The 3D is used as you might expect it to be – which is to say, this is no immersive experience. Instead, blades jut out of the screen, and there is some fun had with blood and guts literally shooting forward at several points'. Frank Scheck of gave the film a mixed review. He said Saw 3D is 'consistent both stylistically and thematically with previous editions', but said most of the film's traps lack the '-style cleverness that marked the series'. Scheck went on to say that it was 'unfortunate' the creators killed Bell's character so early in the series and called Mandylor's character (Hoffman) an 'exceedingly bland stand-in'. He called the visual impact of the 3D 'negligible'. Creators of the Saw franchise, and at the premiere. Roger Moore of the gave the film one out of five stars saying, 'It's all bunk and has been for years. These are all no-win scenarios. Whatever moral lessons were presented in the earliest Saw films seem to have been dispensed with as the movies grow more and more gruesome, with filmmakers caught up in 'What would it look like if somebody's jaw was ripped out, or their skin was glued to a car seat?' Pandering to the 'Cool, let's see that again' crowd has made Lionsgate rich but done nothing for this unendurable endurance contest of this long-enduring film franchise'. Mike Hale of called the film the most 'straightforward' of the series and the 'most consistently (though not inventively) violent'. He ended his review saying, 'If you see the film in a theater equipped with and, you'll come away with a pretty good idea of what it would feel like to have flying body parts hit you in the face'. Reprises his role as, last seen in the, in newly filmed scenes as opposed to flashbacks. Elizabeth Weitzman of the gave the film one out of five stars. She criticized the lack of Bell's screentime saying, 'What the filmmakers of the last four Saw movies have somehow overlooked is that Tobin Bell's Jigsaw is the linchpin of these films. It's right there in the title, so you'd think they'd realize what they lost when they killed him off in Saw III. But it's been downhill ever since, and we hit bottom today'. She admitted that the performances have become 'painfully stilted' and called the script 'a jumble of nothing punctuated by barely-trying death traps'. She went on to say, 'It's also disappointing to watch a once-original franchise morph into a generic slasher series, in which random people are killed in banal ways just to up the body count' and closed her review with, 'No matter how much money The Final Chapter makes over Halloween weekend, it's time to acknowledge that this game is over'. Of called the film the 'most gruesome and least coherent of the seven movies'. He felt that some of the film's 'games' were just randomly forced into the film, saying that kind of 'episodic approach' and 3D works for a 'far more innovative series like '. Morris closed his review by saying 'This alleged final edition trashes the perverse morality of [Jigsaw's] legacy to make him the of gore'. Jason Anderson of the gave the film two out of four stars. He praised Saw 3D 's plot for not being as confusing as previous films, for which he described as having to 'generally require an encyclopedic knowledge of the series' many plot strands' in order to understand them. He thought Greutert gave the film a 'pulpy energy' and described the film's traps and gore as having an 'unpretentious sensibility' to films. Alan Jones of the gave the film four out of five stars saying, 'though the film initially borders on parody, once the ever-ingenious trapping begins – using fishhooks, superglue, ovens and dental equipment – the chills run on turbo drive right through to the greatest hits flashback finale'. He implied that the 'shock scenarios' were borrowed from sources such as, and the work of. Jones said the 3D did not add to the experience saying 'the CGI blood splatter something of a distraction to the almost Shakespearean crescendo of anguish and carnage'. The film was nominated for a for 'Worst Eye-Gouging Misuse of 3D', but it lost to. Main article: Although Saw 3D was intended to be the finale for the film series, it was reported in February 2016 that an eighth film under the working title Saw: Legacy was being developed. The report stated that Legacy would be written by and Pete Goldfinger. Composer Charlie Clouser described Legacy as a 're-invention' of the franchise that will establish a new storyline and new characters. In June 2017, the film's title was officially announced as Jigsaw. The film was officially released on October 26, 2017. See also [ ]. October 19, 2010. Retrieved January 13, 2013. • Wheeler, Jeremy.. Retrieved December 10, 2011. Retrieved March 13, 2017. • McNary, Dave (July 23, 2009).... From the original on January 27, 2010. Retrieved November 23, 2009. • (July 3, 2010).. Archived from on August 7, 2010. Retrieved August 6, 2010. • Pereira, Mike (May 21, 2009).. Bloody Disgusting. The Collective. From the original on January 26, 2010. Retrieved May 21, 2009. The series' Director of Photography, David Armstrong, who just recently announcing [ Saw VI] will be his final Saw gig [.] • Miska, Brad (September 14, 2009).. Bloody Disgusting. The Collective. From the original on January 27, 2010. Retrieved January 26, 2010. • Miska, Brad (February 8, 2010).. Bloody Disgusting. The Collective. From the original on July 3, 2010. Retrieved May 8, 2010. • Miska, Brad (August 13, 2009).. Bloody Disgusting. The Collective. From the original on January 27, 2010. Retrieved January 26, 2010. • Rotten, Ryan (October 14, 2009).. CraveOnline Media. From the original on January 27, 2010. Retrieved January 26, 2010. The Collective. August 6, 2010. From the original on November 6, 2010. Retrieved August 6, 2010. •, Matt Horn and David Murphy (December 1, 2009).. From the original on January 27, 2010. Retrieved December 5, 2009. • ^ Bowles, Scott (July 22, 2010).... From the original on July 25, 2010. Retrieved July 22, 2010. • Kit, Zorianna (July 22, 2010).... From the original on July 25, 2010. Retrieved July 22, 2010. • Fleming, Mike (January 25, 2010).... From the original on January 27, 2010. Retrieved January 26, 2010. • Fritz, Ben (July 22, 2010).... From the original on July 28, 2010. Retrieved July 27, 2010. • Miska, Brad (January 26, 2010).. Bloody Disgusting. The Collective. From the original on January 27, 2010. Retrieved January 26, 2010. • Miska, Brad (January 27, 2010).. Bloody Disgusting. The Collective. From the original on July 28, 2010. Retrieved July 27, 2010. • ^ Decker, Sean (March 12, 2010).. Dread Central. CraveOnline Media. From the original on March 13, 2010. Retrieved March 12, 2010. December 17, 2009. From the original on February 9, 2010. Retrieved February 9, 2010. Toronto Film & Television Office. February 22, 2010. Archived from (PDF) on February 27, 2010. Retrieved February 27, 2010. Bloody Disgusting. The Collective. April 25, 2010. From the original on April 26, 2010. Retrieved May 26, 2010. • ^ Eggertsen, Chris (May 4, 2010).. Bloody Disgusting. The Collective. From the original on May 7, 2010. Retrieved May 4, 2010. • Gilchrist, Todd (January 28, 2011).... From the original on September 17, 2011. Retrieved February 1, 2011. CraveOnline Media. March 3, 2010. From the original on March 4, 2010. Retrieved March 3, 2010. • Bauer, Tonya (September 29, 2010). 'CHS grad wins 'Scream Queen' title'..: B1–B4. • and Matt Horn (September 15, 2010).. Demon FM (Podcast). Retrieved September 16, 2010. • Florino, Rick (October 5, 2010)... From the original on November 6, 2010. Retrieved October 5, 2010. •, David Murphy and Matt Horn (September 30, 2010). Event occurs at 11:15–11:55. Retrieved October 1, 2010. • ^ Waylan, Sara (October 14, 2009).. From the original on January 27, 2010. Retrieved February 8, 2010. The first film was $1 million. The second film was $4 million and change. Since then, depending on the dollar fluctuation, they've all cost between $10 million and $11 million. • Monfette, Christopher (October 14, 2009).... From the original on January 27, 2010. Retrieved January 2, 2010. • ^ McCarthy, Erin (October 27, 2010).... From the original on November 6, 2010. Retrieved November 6, 2010. • ^ Miska, Brad (February 15, 2010)... The Collective. From the original on February 16, 2010. Retrieved February 16, 2010. At this point I view it as getting paid to go through a $17 million dollar one-man 3D film school program, so how's that for looking at the bright side of a dark situation? • Miska, Brad (February 7, 2010).. Bloody Disgusting. The Collective. From the original on February 8, 2010. Retrieved February 7, 2010. Dread Central. CraveOnline Media. April 12, 2010. From the original on April 13, 2010. Retrieved April 12, 2010. December 15, 2009. From the original on October 11, 2011. Retrieved October 11, 2011. • McCabe, Joseph (November 5, 2009)... 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Running time 90 minutes Country United States Language English Budget $20 million Box office $136.1 million Saw 3D (also known as Saw: The Final Chapter, or simply Saw VII) is a 2010 American directed by, written by and, and starring,,, and. It is the seventh (and originally intended final) installment of the, and the only film in the series to be in 3D. The film focuses on a man who falsely claims to be a Jigsaw survivor, becoming a local celebrity. However, he soon finds himself part of a real Jigsaw game where he must ultimately save his wife. Meanwhile, reveals to an that rogue is the man responsible for the recent Jigsaw games, and Hoffman hunts her down. An eighth installment was planned, but the decrease in the compared to previous installments led to Saw 3D being the final planned film in the series, and the plot concept for Saw VIII being incorporated into Saw 3D. Director was to direct the film, but two weeks before filming announced that Greutert, who directed the sixth film, would direct. Took place in Toronto, Ontario from February to April 2010 and was shot with the SI-3D digital camera system, as opposed to shooting with traditional cameras and later transferring to 3D in. Saw 3D was originally scheduled to be released in the United States and Canada on October 22, 2010, but was pushed back a week from its original release date of October 22, 2010, to October 29, 2010; it was released a day earlier in the United Kingdom and Australia. Saw 3D opened at number one making over $22.5 million. It was eventually followed by an eighth film,, in 2017. Contents • • • • • • • • • • • • • • • • • • • Plot [ ] Two men, Brad and Ryan, wake up in a metropolitan storefront window, bound at the wrists to opposite sides of a worktable with a circular saw in front of each of them. Their mutual lover, Dina, is suspended above a third saw, and a informs the men that they can either kill each other or let Dina die. They initially fight each other, during which Brad is cut by the saw, but ultimately choose to allow Dina to die instead. After witnessing 's survival, Jill Tuck meets Matt Gibson, an internal affairs detective from the precinct where he works, and incriminates him in exchange for protection and immunity from prosecution. Gibson, who has distrusted Hoffman for years agrees to her terms. Meanwhile, Hoffman abducts a skinhead gang – Dan, Evan, Jake and Kara – and places them in a junkyard trap that kills them all, leaving the reverse bear trap at the scene to incriminate Jill, who is later put into protective custody. After a meeting of Jigsaw survivors, including Lawrence Gordon, who cauterized his leg on a steam pipe after escaping the bathroom, Hoffman abducts Bobby Dagen, a guru who achieved fame and fortune by falsifying a story of his own survival. He sends Gibson some videos with cryptic clues to the game's location, offering to end the games if Jill is given to him. Dagen awakens in a cage in an abandoned asylum and is told that his wife Joyce will die if he doesn't save her within one hour. Joyce is chained at the neck to a steel platform that gradually pulls her down as she watches Dagen's progress. After he escapes the cage, which dangles over a floor of spikes, he begins searching for Joyce. Along the way, he finds Nina, his publicist; Suzanne, his lawyer; and Cale, his best friend and co-conspirator, all in separate traps representing the and they are killed despite Dagen's efforts to save them. After removing his upper wisdom teeth to obtain the combination for a security door, Dagen finds Joyce and is forced to reenact the trap he claimed to have survived: he must drive hooks through his pectoral muscles and hoist himself up to the ceiling to deactivate her trap. He fails nonetheless, and is forced to watch as a capsule closes around Joyce and incinerates her to death. Gibson eventually discovers the game's location and sends a team, who are sealed in another room and killed by toxic gas. Simultaneously, he and two officers infiltrate Hoffman's command center in the junkyard, where they find Dan's corpse sitting in front of several monitors connected to the police headquarter's security cameras. He sees Hoffman brought into the morgue in a body bag and tries to warn Palmer, but an automatic rises up and kills him along with his men. Hoffman kills Dr. Heffner, Palmer, and everyone else in his path to Jill, who briefly escapes before she is caught and knocked unconscious. He straps her to a chair and locks a reverse bear trap to her head; she awakens as the timer starts and is killed when the trap activates, tearing her jaws apart. After destroying his workshop, Hoffman is attacked and subdued by three pig-masked figures, one of whom is Lawrence Gordon. Flashbacks show that John Kramer found him unconscious by the steam pipe and nursed him back to health, and Gordon has assisted him ever since. This was known only by Jill, who delivered a package to him at the hospital, which contained a videotape in which Kramer asked him to watch over Jill and take action if anything happened to her. To this end, Gordon has Hoffman brought to the from the first film and shackled by the ankle to a pipe. When Gordon appears, he throws the he used to sever his own foot out the door, turns off the lights, and seals the door, leaving Hoffman to die. A scene being constructed at the of Toronto in April 2010. Reported in July 2009 that Lionsgate Saw VII and announced would return to direct, his last film being. Producers and, and writers and also returned. Brian Gedge replaced series' David Armstrong. Began on September 14, 2009. According to Melton, there were plans to title the film Saw: Endgame. Originally two sequels were planned after the sixth, but in December 2009 Melton stated in a interview with the UK radio station that Saw VII was the final installment and would address unanswered questions from previous Saw films, such as the fate of the 's protagonist and other Jigsaw survivors from previous films, while bringing a final resolution to the series. The storyline for a Saw VIII was combined into Saw VII; this decision was primarily due to. On July 22, 2010 in an interview with the producers confirmed that Saw VII will officially end the film series. Burg told that, 'In every Saw movie, we left questions open and in Saw VII we answer every question the audience has ever had'. He added that, 'even new viewers will be able to follow and get caught up to speed'. In January 2010,, who made his directorial debut with the sixth film, was about to begin work on 's when suddenly dismissed Hackl and forced Greutert on the project by exercising a 'contractual clause' in his contract, much to Greutert's dismay. When Greutert arrived on set two weeks before filming began, he performed a 'compressive re-write' of the script. Melton explained that, 'He has a lot of ideas, but it's a bit hard and extreme to implement all of these ideas because sets have been built, people have been cast, props have been bought or created, and with the Saw films they are so specific in set design because of the traps. It becomes very problematic and difficult to change things a whole bunch right in the middle of it'. Saw 3D was originally intended to be two separate films. According to Melton and Dunstan, 'It was our original intention to make the final Saw in two parts, but when [Saw] VI didn't do so well, the studio got nervous and we were only allowed to make one more.' (Joyce) at the film's premiere. Casting began in mid-December 2009. On February 22, 2010, was listed on the Toronto Film & Television's official list of personnel website for Saw 3D but on March 8 his name along with other cast members were removed from the list. The following month, Lionsgate confirmed his reprisal of the role of, last seen in. Dunstan and Melton said that Elwes filmed new scenes. The filmmakers wanted to bring Elwes back earlier, but Elwes wanted to wait until the last film. He described his character as having. Appeared in the film as Internal Affairs, who was also Hoffman's former partner., who won the second season of, plays in the film., the lead vocalist of the band, has a role in the film playing, a. Bennington met with an acting coach to prepare for his role. He said, 'It was actually a little more difficult than I expected because it took a lot for me to figure out how to portray this guy and what exactly his motives were going to be throughout. I thought maybe I was overthinking it, and I met with this really great acting coach who helped me walk through and make sense of the, 'Motivation' '. Was offered to reprise his role as from Saw VI, but turned it down due to scheduling conflicts. Filming in 3D [ ] Saw 3D was shot entirely in using the SI-3D digital camera system; rather than filming on set traditionally and later transferring the footage to 3D. Before choosing 3D, Burg and others viewed a minute of the original Saw film rendered in 3D and were pleased, which led to them choosing 3D for the seventh film. The sets and traps were designed to take advantage of 3D. To continue the fast pace of the previous films, the SI-3D cameras' light weight allowed three-quarters of film to be shot. Saw 3D was Greutert's first time directing a 3D film. He said in an interview with that composing a shot in 3D was tricky compared to 2D; he explained, 'If you've got both cameras looking at a subject and there's a very bright sheen on the side of the person's arm that only one camera can see, there's a good chance that when you look at a composite of the two images that sheen will not register in 3D space. It looks like a mistake. These things aren't an issue at all in 2D but in 3D are obsessively problematic'. Given the cost of filming in 3D, Greutert said the budget was $17 million, the most expensive of the series. Began on February 8, 2010, in,, and wrapped on April 12, 2010. Filming took place mostly at Toronto's. Saw 3D director Kevin Greutert and his wife, actress Elizabeth Rowin, at 2010. When determining the style of 3D shooting they wanted to use, Burg felt that the audience would want several moments where objects move into the audience, comparing this to. He acknowledged that this method would be used, but expressed an interest in shooting from the victim's perspective, similar to that of video games being rendered in 3D. Dunstan added that 'It adds a whole new layer of discipline and criteria to creating these moments. We've had a very flat surface to try to get a reaction out of you. Now, we get to push out a bit and envelop the viewer, still maintaining the patterns that have worked and been successful, but also to raise it up a notch.' Commenting on the change to filming in 3D, Bell stated it would not affect his performance or methods of acting, noting that it would be an 'interesting experience'. Mandylor called the 3D shoot 'more tedious and longer'. Flannery described the 3D aspect as being '[not] shot in 3D so that you can, per se, see blood coming directly at you. It's in 3D for the texture and the depth, for the architecture, to get a sense that you're in the scene but there's no 'we want to see blood coming at the lens' it's nothing like that. But I think we made a good movie.' Services were provided. Traps [ ] Filming of the trap scenes, which was done last, began in March. The film's opening trap scene was filmed at in Toronto, Ontario, just outside, and included 400. In the trap, the circular saw blades were actually real and functional, but safety precautions were taken for the actors. One actor that was in the trap, Jon Cor, told Demon FM that he had scars on his hands from the shackles, and said the other actors, Sebastian Pigott chipped his tooth and Anne Lee Greene lost the feeling in her feet and had to receive medical attention. Producer told horror news website that there are eleven traps in the film, the most ever in the franchise. There is one 'trap' scene in the film that producers would not allow in previous Saw films that they described as 'too violent', 'too disgusting', and 'just wrong'. Melton later confirmed that was the 'Garage Trap', which involved a car and sets off a 'chain reaction' with other characters. Gabby West was part of the trap. She told, 'They molded my entire face, and basically my entire upper body after my belly button. They put layers and layers of different materials on you and you have two straws in your nose so you can breathe. It was so scary! They put so much of it on, you can't see and they put it in your ears so you can barely hear anything. That was part of the prep for the film, which was really cool, to have a dummy made of yourself. Over 25 gallons of was used in the film, which was two and half times more than. Music [ ] The was composed by and released on through Evolution Music Partners on November 2, 2010. The Saw 3D soundtrack is 'inspired by the film' and features music from rock bands including,,,,,, and 's. It was released through SonyMusic Independent Network (SIN) and Artists' Addiction Records on October 26, 2010. The song ' by was announced in the Production Notes, but was not actually played during the film's end credits. Track listing Saw 3D Original Motion Picture Soundtrack No. Title Writer(s) Artist Length 1. 'Never', Jason Null, Jared Weeks 2:59 2. ', Brad Warren, Brett Warren, 4:13 4. ' Ian Kenny, Steve Judd, Mark Hosking, Drew Goddard, Jon Stockman 4:38 5. 'Love Is Dead' 4:02 7. ',,,, Jacob Kasher, Jamaal Sublett, Matt Walst 3:42 9. ' Dave Benedict Danny Craig,, Jeremy Hora, Bob Marlette, 3:15 10. 'Fire Fly' Cameron Bailey, Jon Bolotte, Buddy Jackson, Brian Lenington I-Exist 4:24 11. ' Michiyuki Kawashima, Masayuki Nakano 4:30 12. ', Chris Von Rohr, Fernando VonArb 3:35 14. 'Ram The Crush' 3:32 16. ' 4:00 Total length: 58:48 Marketing [ ]. Bell promoting the film at 2010. On July 8, 2010, in some press materials for, the film was referred to as Saw 3D: The Traps Come Alive, which led to the media assuming it was the final name. The following day, Burg and Koules said that 'The Traps Come Alive' was simply a tagline that had been misinterpreted as part of the title. Koules said that if they included the seventh Roman numeral followed by '3D' ( Saw VII 3D), it would have been 'cumbersome' and not made the impact they wanted. He explained, 'It was such a process in 3D, so much hard work was put in. Saw VII 3D is too much. This is like a new movie. [.]' In the same interview, the producers addressed Saw 's presence at Comic-Con 2010 in San Diego. They said that the footage that was going to be used for the convention could not get approved for the audience; Koules explained, 'It's going to be different than what we've done before, we're going to be at Comic-Con but we're not in Comic-Con'.' The Comic-Con teaser trailer was released via on July 22, 2010. The next day of the convention, the first eight minutes of the film were screened for the press and a few fans. The trailer shown in the United Kingdom during a break from was banned after a ten-year-old child complained that it was 'distressing' and 'inappropriately scheduled'. Had cleared the trailer for 19:00, but did not actually air until 20:29. In one scene of the trailer, people in a cinema become trapped to the seats by metal restraints with a hand coming through the screen pulling a person in. The said it was 'likely to cause distress to young children'. In, a branch of showed Saw 3D instead of the cartoon, which was being watched by a seven-year-old celebrating a birthday. It took several minutes before the cinema employees fixed the mistake. Release [ ] Saw 3D was distributed theatrically by Lionsgate in the United States and through in Canada. The film was originally scheduled to be released on October 22, 2010, but in July 2010, three months prior to release, the date was pushed back to October 29. It also had preview screenings on October 28, 2010 in 2,000 locations. Since the release of Saw IV, each film has been released a day earlier in Australia and New Zealand; Saw 3D continued the tradition in Australia, though the New Zealand release was not released until March 3, 2011. The film was initially rated NC-17 (no children 17 and under admitted) by the (MPAA) and had to be six times to secure an. In Australia, the gave a heavy (restricted to 18 and over) for 'high impact violence, blood and gore', whereas all previous Saw films were rated MA15+ (with the exception of the director's cut version of Saw V). Censorship in Germany [ ] In Germany, its showing as a whole was banned from April 2012 until January 2013 because the Amtsgericht Tiergarten has noted that several scenes in the film violate the violence act §131 StGB. Private copies were still legal to own and personal use was not punishable; however any public screening was a highly prohibited and punishable act. There is a censored 'Keine Jugendfreigabe/No youth admitted' version, but it has all the violent scenes cut out. Retailing this copy is still legal, since 'KJ' rated films cannot be indexed/banned. In January 2013, the appellate court Landgericht Berlin revoked the original court order after, who own the distribution rights for Germany, had appealed against it. Home media [ ] Burg said in an interview with on October 25, 2010, that the DVD will only be released in the 2D version. Released Saw 3D: The Final Chapter on January 25, 2011, in three versions. The first is a standard DVD release consisting of the theatrical version of the film, a selection of bonus features and a second disc with a digital copy; a second edition is a 2D combo pack that includes an unrated, DVD and of the film. The last edition of the release is a 3D combo pack consisting of an unrated, Blu-ray, DVD, and digital copy version of the film. According to the chart, the DVD and Blu-ray formats placed number three in its first week. Reception [ ] Box office [ ] Saw 3D had preview screenings on October 28, 2010, in 2,000 locations and made $1.7 million. It opened in the following day in 2,808 locations playing on 3,500 screens, the second smallest release behind the first. The film earned $8,976,000 on its opening day, taking the number one spot from. It grossed $22,530,123 its opening Halloween weekend, with 92% of tickets coming from more than 2,100 3D-equipped locations and 57% of the audience being under the age of 25. It had the fifth best opening weekend in the Saw series. After only four days of wide release, Saw 3D had out-grossed 's $27.7 million final domestic gross. On its second weekend, the film dropped 66% in ticket sales and made $7.7 million, moving to the number five spot with taking its number one spot. Saw 3D closed on December 2, 2010, after 35 days of release in the United States and Canada. Saw 3D opened in 25 territories with $14.4 million (including preview screenings) placing first place in the (UK) with $5.8 million, beating 's $4.7 million UK opening. It opened in second place in Russia with $2.2 million; Australia and Japan grossed $909,000 and $864,800, respectively. Saw 3D grossed $12.8 million in the, and; $10.9 million in; $7 million in; $5.3 million in; and $2.4 million in. The film has grossed $45.7 million in the and, with $90.4 million in other markets, for a worldwide total of $136.1 million. This makes Saw 3D the highest-grossing film in the series in the foreign market. Also, it made more than double the amount of the previous installment and is the most successful film in the franchise since. Release date (United States) Budget (estimated) Box office revenue United States/Canada Other markets Worldwide October 29, 2010 $17,000,000 $45,710,178 $90,440,256 $136,150,434 Critical response [ ]. Attending the Saw 3D premiere at the on October 27, 2010. As with the previous four Saw films, Saw 3D was not screened in advance for critics. Review aggregation website gave the film a rating of 9%, based on 74 reviews, with an average rating of 3.1/10, making it the poorest rated film in the series. The site's consensus reads, 'Sloppily filmed, poorly acted, and illogically plotted, Saw 3D leaves viewers trapped in the most lackluster installment of the series.' Gave the film a score of 24 out of 100, based on 17 critics, indicating 'generally unfavorable reviews'. Luke Thompson of gave the film a 'B'. He called the film's gore 'over-the-top' and 'in your face' while admitting the film had an 'unusual amount of self-parody'. He said the central storyline of the films was beginning to feel 'played out'. Rob Nelson of gave the film a negative review. He called the film 'relentlessly repugnant' that would please fans, but offer no surprise. He went on to say, 'Apart from these limb-pulling setpieces, tech credits appear fairly shoddy, as do any 3D effects that don't include flying viscera. The editing relies on lazy flashbacks, while the dialogue remains as horrific as the killings.' Kim Newman of gave the film two out of five stars, calling it 'a step down from last year's much more pointed '. He criticized the repetition of the plot but thought bringing back Jigsaw survivors was a 'nice idea'. He closed his review with, 'There are a scattering of infallibly cringe-making horrors, but on the whole Saw 3D could do with more depth'. Eric Goldman of gave the film two out of five stars. He was unhappy with the little screen time Bell and Elwes had been given, saying that the time the film did spend with them didn't have much impact. He said the traps were a step down from Saw VI, but did point out his favorite and highlight of the film as the 'garage trap'. About the film's 3D effects, Goldman said 'The 3D is used as you might expect it to be – which is to say, this is no immersive experience. Instead, blades jut out of the screen, and there is some fun had with blood and guts literally shooting forward at several points'. Frank Scheck of gave the film a mixed review. He said Saw 3D is 'consistent both stylistically and thematically with previous editions', but said most of the film's traps lack the '-style cleverness that marked the series'. Scheck went on to say that it was 'unfortunate' the creators killed Bell's character so early in the series and called Mandylor's character (Hoffman) an 'exceedingly bland stand-in'. He called the visual impact of the 3D 'negligible'. Creators of the Saw franchise, and at the premiere. Roger Moore of the gave the film one out of five stars saying, 'It's all bunk and has been for years. These are all no-win scenarios. Whatever moral lessons were presented in the earliest Saw films seem to have been dispensed with as the movies grow more and more gruesome, with filmmakers caught up in 'What would it look like if somebody's jaw was ripped out, or their skin was glued to a car seat?' Pandering to the 'Cool, let's see that again' crowd has made Lionsgate rich but done nothing for this unendurable endurance contest of this long-enduring film franchise'. Mike Hale of called the film the most 'straightforward' of the series and the 'most consistently (though not inventively) violent'. He ended his review saying, 'If you see the film in a theater equipped with and, you'll come away with a pretty good idea of what it would feel like to have flying body parts hit you in the face'. Reprises his role as, last seen in the, in newly filmed scenes as opposed to flashbacks. Elizabeth Weitzman of the gave the film one out of five stars. She criticized the lack of Bell's screentime saying, 'What the filmmakers of the last four Saw movies have somehow overlooked is that Tobin Bell's Jigsaw is the linchpin of these films. It's right there in the title, so you'd think they'd realize what they lost when they killed him off in Saw III. But it's been downhill ever since, and we hit bottom today'. She admitted that the performances have become 'painfully stilted' and called the script 'a jumble of nothing punctuated by barely-trying death traps'. She went on to say, 'It's also disappointing to watch a once-original franchise morph into a generic slasher series, in which random people are killed in banal ways just to up the body count' and closed her review with, 'No matter how much money The Final Chapter makes over Halloween weekend, it's time to acknowledge that this game is over'. Of called the film the 'most gruesome and least coherent of the seven movies'. He felt that some of the film's 'games' were just randomly forced into the film, saying that kind of 'episodic approach' and 3D works for a 'far more innovative series like '. Morris closed his review by saying 'This alleged final edition trashes the perverse morality of [Jigsaw's] legacy to make him the of gore'. Jason Anderson of the gave the film two out of four stars. He praised Saw 3D 's plot for not being as confusing as previous films, for which he described as having to 'generally require an encyclopedic knowledge of the series' many plot strands' in order to understand them. He thought Greutert gave the film a 'pulpy energy' and described the film's traps and gore as having an 'unpretentious sensibility' to films. Alan Jones of the gave the film four out of five stars saying, 'though the film initially borders on parody, once the ever-ingenious trapping begins – using fishhooks, superglue, ovens and dental equipment – the chills run on turbo drive right through to the greatest hits flashback finale'. He implied that the 'shock scenarios' were borrowed from sources such as, and the work of. Jones said the 3D did not add to the experience saying 'the CGI blood splatter something of a distraction to the almost Shakespearean crescendo of anguish and carnage'. The film was nominated for a for 'Worst Eye-Gouging Misuse of 3D', but it lost to. Main article: Although Saw 3D was intended to be the finale for the film series, it was reported in February 2016 that an eighth film under the working title Saw: Legacy was being developed. The report stated that Legacy would be written by and Pete Goldfinger. Composer Charlie Clouser described Legacy as a 're-invention' of the franchise that will establish a new storyline and new characters. In June 2017, the film's title was officially announced as Jigsaw. The film was officially released on October 26, 2017. See also [ ]. October 19, 2010. Retrieved January 13, 2013. • Wheeler, Jeremy.. Retrieved December 10, 2011. Retrieved March 13, 2017. • McNary, Dave (July 23, 2009).... From the original on January 27, 2010. Retrieved November 23, 2009. • (July 3, 2010).. Archived from on August 7, 2010. Retrieved August 6, 2010. • Pereira, Mike (May 21, 2009).. Bloody Disgusting. The Collective. From the original on January 26, 2010. Retrieved May 21, 2009. The series' Director of Photography, David Armstrong, who just recently announcing [ Saw VI] will be his final Saw gig [.] • Miska, Brad (September 14, 2009).. Bloody Disgusting. The Collective. From the original on January 27, 2010. Retrieved January 26, 2010. • Miska, Brad (February 8, 2010).. Bloody Disgusting. The Collective. From the original on July 3, 2010. Retrieved May 8, 2010. • Miska, Brad (August 13, 2009).. Bloody Disgusting. The Collective. From the original on January 27, 2010. Retrieved January 26, 2010. • Rotten, Ryan (October 14, 2009).. CraveOnline Media. From the original on January 27, 2010. Retrieved January 26, 2010. The Collective. August 6, 2010. From the original on November 6, 2010. Retrieved August 6, 2010. •, Matt Horn and David Murphy (December 1, 2009).. From the original on January 27, 2010. Retrieved December 5, 2009. • ^ Bowles, Scott (July 22, 2010).... From the original on July 25, 2010. Retrieved July 22, 2010. • Kit, Zorianna (July 22, 2010).... From the original on July 25, 2010. Retrieved July 22, 2010. • Fleming, Mike (January 25, 2010).... From the original on January 27, 2010. Retrieved January 26, 2010. • Fritz, Ben (July 22, 2010).... From the original on July 28, 2010. Retrieved July 27, 2010. • Miska, Brad (January 26, 2010).. Bloody Disgusting. The Collective. From the original on January 27, 2010. Retrieved January 26, 2010. • Miska, Brad (January 27, 2010).. Bloody Disgusting. The Collective. From the original on July 28, 2010. Retrieved July 27, 2010. • ^ Decker, Sean (March 12, 2010).. Dread Central. CraveOnline Media. From the original on March 13, 2010. Retrieved March 12, 2010. December 17, 2009. From the original on February 9, 2010. Retrieved February 9, 2010. Toronto Film & Television Office. February 22, 2010. Archived from (PDF) on February 27, 2010. Retrieved February 27, 2010. Bloody Disgusting. The Collective. April 25, 2010. From the original on April 26, 2010. Retrieved May 26, 2010. • ^ Eggertsen, Chris (May 4, 2010).. Bloody Disgusting. The Collective. From the original on May 7, 2010. Retrieved May 4, 2010. • Gilchrist, Todd (January 28, 2011).... From the original on September 17, 2011. Retrieved February 1, 2011. CraveOnline Media. March 3, 2010. From the original on March 4, 2010. Retrieved March 3, 2010. • Bauer, Tonya (September 29, 2010). 'CHS grad wins 'Scream Queen' title'..: B1–B4. • and Matt Horn (September 15, 2010).. Demon FM (Podcast). Retrieved September 16, 2010. • Florino, Rick (October 5, 2010)... From the original on November 6, 2010. Retrieved October 5, 2010. •, David Murphy and Matt Horn (September 30, 2010). Event occurs at 11:15–11:55. Retrieved October 1, 2010. • ^ Waylan, Sara (October 14, 2009).. From the original on January 27, 2010. Retrieved February 8, 2010. The first film was $1 million. The second film was $4 million and change. Since then, depending on the dollar fluctuation, they've all cost between $10 million and $11 million. • Monfette, Christopher (October 14, 2009).... From the original on January 27, 2010. Retrieved January 2, 2010. • ^ McCarthy, Erin (October 27, 2010).... From the original on November 6, 2010. Retrieved November 6, 2010. • ^ Miska, Brad (February 15, 2010)... The Collective. From the original on February 16, 2010. Retrieved February 16, 2010. At this point I view it as getting paid to go through a $17 million dollar one-man 3D film school program, so how's that for looking at the bright side of a dark situation? • Miska, Brad (February 7, 2010).. Bloody Disgusting. The Collective. From the original on February 8, 2010. Retrieved February 7, 2010. Dread Central. CraveOnline Media. April 12, 2010. From the original on April 13, 2010. Retrieved April 12, 2010. December 15, 2009. From the original on October 11, 2011. Retrieved October 11, 2011. • McCabe, Joseph (November 5, 2009)... Horror Entertainment. From the original on January 27, 2010. Retrieved January 1, 2010. July 2, 2010. Archived from on July 25, 2010. Retrieved July 3, 2010. Bloody Disgusting. The Collective. July 7, 2010. From the original on July 25, 2010. Retrieved July 7, 2010. • ^ ( file 4.21MB download).. Retrieved September 18, 2011. • Bassett, Lisa (July 23, 2010).. The Corporation of Massey Hall and Roy Thomson Hall. From the original on November 6, 2010. Retrieved November 6, 2010. • BC (July 25, 2010)... The Collective. From the original on July 27, 2010. Retrieved July 25, 2010. • Jon Cor (October 20, 2010). Event occurs at 2:55–3:20. • ^ Turek, Ryan (July 9, 2010).. CraveOnline Media. From the original on July 25, 2010. Retrieved July 9, 2010. •, Matt Horn and David Murphy (July 14, 2010).. From the original on July 25, 2010. Retrieved July 14, 2010. September 27, 2010. From the original on September 28, 2010. Retrieved September 27, 2010. • Phillips, Jevon (October 29, 2010).... From the original on September 16, 2011. Retrieved September 15, 2011. November 2, 2010. Retrieved November 6, 2010. • Toor, Amar (October 5, 2010).... From the original on November 6, 2010. Retrieved October 7, 2010. • Turek, Ryan (July 8, 2010).. CraveOnline Media. From the original on September 17, 2011. Retrieved July 8, 2010. July 22, 2010. From the original on July 25, 2010. Retrieved July 22, 2010. • Lesnick, Silas (July 23, 2010).. Shock Till You Drop. CraveOnline Media. From the original on July 25, 2010. Retrieved July 23, 2010. January 11, 2011. From the original on September 17, 2011. Retrieved May 21, 2011. November 18, 2010. From the original on September 17, 2011. Retrieved May 21, 2011. • Child, Ben (March 31, 2010)... From the original on December 15, 2013. Retrieved May 4, 2010. Bloody Disgusting. The Collective. July 22, 2010. From the original on July 25, 2010. Retrieved July 22, 2010. • ^ Gray, Brandon (October 29, 2010).... Retrieved October 30, 2010. Box Office Mojo. Retrieved September 16, 2011. Australian Government. From the original on November 6, 2010. Retrieved October 30, 2010. • 'Classification Database: Saw–Saw VI'. Australian Classification Board. Australian Government. • • • • ( required video).. October 25, 2010. Retrieved October 25, 2010. CraveOnline Media. December 6, 2010. From the original on September 17, 2011. Retrieved December 6, 2010. • Arnold, Thomas K. (February 2, 2011)... Questex Media Group. From the original on September 17, 2011. Retrieved February 3, 2011. October 29, 2010. Retrieved November 1, 2010. • Young, John (October 31, 2010)... From the original on November 6, 2010. Retrieved November 2, 2010. Box Office Mojo. October 31, 2010. Retrieved November 1, 2010. • Stewart, Andrew (October 31, 2010).... From the original on November 6, 2010. Retrieved November 1, 2010. Box Office Mojo. Retrieved November 14, 2010. • Subers, Ray (November 5, 2010).. Box Office Mojo. Retrieved November 8, 2010. Box Office Mojo. November 7, 2010. Retrieved November 8, 2010. Retrieved December 1, 2010. • ^ Subers, Ray (November 3, 2010).. Box Office Mojo. Retrieved November 8, 2010. • Bresnan, Conor (October 30, 2006).. Box Office Mojo. Retrieved November 2, 2010. Retrieved February 7, 2011. • Johnson, Robert (October 28, 2010).... Archived from on November 6, 2010. Retrieved October 30, 2010. Retrieved March 3, 2011. Retrieved March 3, 2011. • Thompson, Luke (October 28, 2010).... From the original on November 6, 2010. Retrieved October 29, 2010. • Nelson, Rob (October 28, 2010).... From the original on November 6, 2010. Retrieved October 29, 2010. • Newman, Kimwork (October 28, 2010).... From the original on November 6, 2010. Retrieved October 29, 2010. • Goldman, Eric (October 28, 2010).... From the original on November 6, 2010. Retrieved October 28, 2010. • Scheck, Frank (October 29, 2010).... From the original on November 6, 2010. Retrieved October 30, 2010. • Moore, Roger (October 28, 2010).... From the original on November 6, 2010. Retrieved October 29, 2010. • Hale, Mike (October 29, 2010).... From the original on November 6, 2010. Retrieved October 30, 2010. • Weitzman, Elizabeth (October 29, 2010).... From the original on November 6, 2010. Retrieved October 30, 2010. • (October 30, 2010).... From the original on November 6, 2010. Retrieved November 1, 2010. • Anderson, Jason (October 30, 2010).... From the original on November 6, 2010. Retrieved November 3, 2010. • Jones, Alan.... From the original on September 17, 2011. Retrieved March 3, 2011. • Bowles, Scott.. Retrieved 18 February 2016. February 8, 2016. Retrieved February 9, 2016. The Hollywood Reporter. October 7, 2016. Retrieved October 7, 2016. External links [ ] Wikiquote has quotations related to: Wikimedia Commons has media related to. • • on • at • at • at •. Copyright © Cmovies4u.com. 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Galite žiūrėti Pašauk mane savo vardu online nemokamai arba parsisiųsti anglų kalba. In Northern Italy in 1983, seventeen year-old Elio begins a relationship. Šiame straipsnyje: Oskarai Oskarų nominacijos Vandens forma Trys stendai prie Ebingo Misūryje Vadink mane savo vardu Diunkerkas kinas. Filmas: 'Vadink mane savo vardu' / 'Call Me by Your Name' Sveiki. The sense of a compromise: this looks something that started out with an idea of substance and was then taken over by lesser considerations. Its theme is how we see ourselves, and how blind or wrong we can be: an ageing, self-satisfied man finds out, maybe in time to change. Had the film made full use of its fine cast and drilled down into that problem, it might have delivered its message effectively. But it gets distracted - if you have the likes of Broadbent and Rampling, why waste them on long silences and vacant, unsatisfying dialogue? It resorts instead to unnecessary twists and incongruent bits of prurience. The latter is an annoyingly frequent feature of otherwise good quality British shows, and this one was not immune. The subject of sex is dealt with clumsily - the infantile lasciviousness of the girl's family, the unlikely and ambiguous car back seat scene, the tossing in of gratuitous references to the genitals including an awkward one about childbirth, which seems anatomically wrong in light of the preceding childbirth scenes. There are gaps and non-sequitors: was the girl's mother really such a foolish character, or was that how the boy saw her? Why didn't his smart university friends pull him up on his poor behaviour, and did he cause the tragedy, or not? Just as the slow-paced story seems, finally, to be approaching a reasonable denouement, it doubles back and relies for its ending by talking about events between characters whom we never see actually meeting in the film. CREDIT: Sense of an Ending With: Jim Broadbent, Charlotte Rampling, Harriet Walter, Michelle Dockery, Matthew Goode, Emily Mortimer, James Wilby, Edward Holcroft, Billy Howle, Freya Mavor, Joe Alwyn, Peter Wight. The Sense of an Ending Official Trailer 1 (2017) - Michelle Dockery Movie A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life. A film that’s well-acted but tastefully restrained to a fault, with gentle humor about aging and a central mystery that isn’t all that engaging. Directed by Ritesh Batra. With Jim Broadbent, Charlotte Rampling, Harriet Walter, Michelle Dockery. A man becomes haunted by his past and is presented with a. More From IndieWire ‘The Sense of an Ending’ Exclusive. “The Sense of an Ending” screened as the Opening Night film of the 2017 Palm Springs International. This destroys what momentum it had. The worst of the prurience however is the explicit and detailed discussion of the method by which a youth took his own life, the information delivered by a likeable boy: this is utterly uncalled for, and inadvisable in circumstances where there is concern about rates of youth suicide and the publication of methods. Families might well attend this unawares, thinking that it will have an worthwhile discussion of some big life issues: the mature and stellar cast, and the title promised as much. Not as intelligent as it looks. And mind your young folk. Jim Broadbent in “The Sense of an Ending,” directed by Ritesh Batra. Credit Robert Viglasky/CBS Films Adapted from a brief but emotionally potent 2011 by, initially honors its source material by taking clever, inventive cinematic liberties with it. The book, a first-person account of its aged protagonist, Tony Webster, has a bifurcated structure: “how I remembered these events” and “what really happened.” Flashbacks arrive in blink-and-you-miss-them bursts that then expand to explain the significance of a look or a gesture; memory becomes a form of time travel, putting Tony () inside his own recollections, taking the place of his young self. Video Movie Review: ‘The Sense of an Ending’. Freya Mavor and Charlotte Rampling are hauntingly enigmatic and ravishing as his former love, young and old, and Joe Alwyn as the ex-friend is charismatically cerebral. Directed by from a screenplay by Nick Payne, the film maintains intrigue and emotional magnetism as its mystery unfolds. Unfortunately, it goes wobbly in the last quarter, as Tony’s refusal to face up to his past actions begins to look less willful and more stupid. The film then totters into a redemptive sentimentality that wouldn’t even play if it were made to seem more earned. 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A joint American and British production, the film is a sequel to (2012), the second installment in the and the sixth installment overall in the, as well as the third directed by Scott. The film features returning star reprising his role as from Prometheus and, with, and in supporting roles. It follows the crew of a colony ship that lands on an uncharted planet and makes a terrifying discovery. Began on April 4, 2016, at in, New Zealand, and wrapped on July 19, 2016. Effects houses Odd Studios and CreatureNFX provided the film's makeup and creature effects. Scott said that the first cut of the film was two hours and twenty-three minutes long, and was eventually edited down to the two hours and three minutes of the released version. Alien: Covenant premiered in London on May 4, 2017. It was released on May 12 in the United Kingdom, and on May 19 in the United States. The film received generally positive reviews from critics, with many praising Fassbender's dual performance and calling the film a return to form for both director Ridley Scott and the franchise. The film grossed a worldwide total of $240 million against a production budget of $97 million. Feb 01, 2018 prometheus / alien covenant. Other languages subtitles. Is new and in their original packaging / sealed buy original german version faster. Scott revealed the new title to be Alien: Covenant. That had the feel of the original Alien. First cut version of Covenant after filming went to. In addition to the mandatory tagging of the post titles, ie: [TV] - [MOVIE] you also MUST format your titles correctly when posting any content, manner for Movies: 'Name of the Movie, Year, Quality ie: 1080p/720p, Media Type ie: BluRay/DVDRip, Codec ie: x264/x265, & File Size' and manner for TV: 'Name of the TV Show, Season & Episode Number, Quality ie: HDTV/720p, Codec ie: x264/x265 & File Size' for TV shows, so that our subtitle bot can find subtitles for your post easily. Contents • • • • • • • • • • • • • • • • • • • • • • • • Plot [ ] In a prologue, speaks with his newly activated, who chooses the name ' after observing a replica of. Weyland tells David that one day they will search for mankind's creator together. David comments on his own unlimited lifespan compared to his creator's limited one. In 2104, 11 years after the expedition, the ship Covenant is bound for a remote planet, Origae-6, with a crew of 15, two thousand colonists in, and 1,140 human aboard. The ship is monitored by Walter, a newer android model that physically resembles David. A stellar burst damages the ship, killing 47 colonists. Walter orders the ship's computer to wake the crew, which includes several married couples. The ship's captain, Jake Branson, is burned alive when his stasis pod malfunctions. While repairing the ship, the crew picks up a radio transmission from a nearby, habitable planet. Against the objections of Daniels (Branson's widow), the new captain, Oram, decides to investigate. As the Covenant remains in orbit, an expedition team descends to the earth-like planet's surface and tracks the transmission's signal to a crashed alien ship. Crew members Ledward and Hallett are infected by alien spores. Oram's wife Karine helps the rapidly-sickening Ledward back to the lander where Maggie, the pilot, quarantines them both inside the med-bay. A small, pale, alien creature () bursts from Ledward's back, killing him, and then kills Karine. Maggie attempts to kill the creature with a shotgun, but triggers an explosion which kills her and destroys the lander. The neomorph escapes while a similar creature bursts from Hallett's mouth. The neomorphs attack the remaining crew members and kill one. The crew manages to kill a neomorph before David, who survived the Prometheus mission, scares away the other, and leads the crew to a temple in a city full of humanoid () corpses. David tells them that upon his and fellow Prometheus survivor arrival at the planet, their ship released a black liquid bio-weapon which annihilated the native population and that Shaw died when the ship crashed in the ensuing chaos. After the crew members tell David of their mission, they attempt to contact the Covenant but are prevented by fierce storms. The surviving neomorph infiltrates the structure and kills crew member Rosenthal. David tries to communicate with the creature, and is horrified when Oram kills it. Oram questions David who reveals that the aliens are a result of his experimenting with the black liquid in an attempt to create a new species. He manipulates Oram into being attacked by an alien parasite (). An alien creature () later erupts from Oram's chest, killing him. As the others search for Oram and Rosenthal, Walter, who has found Shaw's corpse, confronts David. David explains that he believes humans are a dying species and should not be allowed to the galaxy. When Walter disagrees, David disables him, and threatens Daniels. Walter recovers (being a superior model capable of self-repair) and confronts David while Daniels escapes as they fight. A facehugger attacks security chief Lope, but he is later rescued by crew member Cole. The now fully grown Xenomorph appears and kills Cole, while Lope escapes and meets up with Daniels. Pilot Tennessee arrives in another lander to extract Daniels, Lope, and Walter, who claims David has 'expired'. After an encounter outside the ship, they kill the Xenomorph and return to the Covenant. The next morning, Daniels and Tennessee find out that another Xenomorph burst from Lope's chest, killing him, and is loose on the Covenant. It matures, and kills crew members Ricks and his wife Upworth. Tennessee and Daniels lure the creature into the Covenant 's bay and flush it into space. The Covenant resumes its trip to Origae-6, and the surviving crew re-enters stasis. As Walter puts Daniels under, she realizes that he is in fact David, but is unable to escape her stasis pod before falling asleep. David regurgitates two facehugger embryos and places them in alongside the human embryos before entering the cargo bay containing the colonists in stasis. He then poses as Walter to record a log stating that all crewmembers except Daniels and Tennessee were killed by the neutrino blast at the beginning of the film and that the ship is still on course for Origae-6. Waterston received positive reviews for her Ripley-like role as Daniels. • as and Walter One, who are synthetic androids; David is an earlier-made android, who was formerly a crew member of the destroyed, and Walter is a newer model who assists the crew aboard the Covenant. • as Daniels, the chief of for the Covenant mission and the wife/widow of the ship's captain, Jacob Branson. She's the third in command after Branson and Oram. Waterston said she was well aware of the comparisons that were going to be made between her and 's, but that she tried not to think about it too much while filming for fear of being intimidated. • as Chris Oram, the Covenant 's first mate and Karine's husband. Oram is a self-serious man of faith who believes their role on the Covenant is an act of destiny, and shares a 'contentious' relationship with Daniels. • as Tennessee Faris, the chief pilot of the Covenant and Maggie's husband. • as Carl Lope, the head of the security unit aboard the Covenant and husband of Sergeant Hallett. • as Karine Oram, the Covenant 's biologist and Chris' wife. • as Maggie Faris, the lander's pilot and Tennessee's wife. • as Upworth, the Covenant 's communication officer and Ricks' wife; she also has training. • as Ricks, the Covenant 's navigator and Upworth's husband. • as Hallett, a member of the security unit and Lope's husband. • Tess Haubrich as Sarah Rosenthal, a member of the security unit. • Alexander England as Ankor, a member of the security unit. • as Ledward, a member of the security unit. • as Cole, a member of the security unit. • as Jacob Branson, the first captain of the Covenant and husband of Daniels. Reprises his role as, the trillionaire founder and CEO of Weyland Corporation (now the Weyland-Yutani Corporation) who died before the destruction of the Prometheus. Had played archaeologist as a member of the destroyed Prometheus in the prequel film, and appeared in a short promotional prologue to Covenant that was set in the period between the two movies, but does not act in the final cut of the movie itself, though her voice is heard and image seen. Portrays the role of a neomorph, while Goran D. Kleut portrays the roles of both neomorph and xenomorph. Portrays the voice of the Covenant 's computer 'Mother'; she was a colleague of, the voice of the Nostromo's 'Mother' from 1979's. Themes [ ] In magazine, David Edelstein commented on David the android as representing a new generation of monster villains in the tradition of, stating: 'In Star Trek, that man-machine nexus washopeful. Here, there's some doubt about David's ultimate motives, which puts Alien: Covenant squarely in the tradition of the Terminator and Matrix movies. And, of course, the novel Frankenstein, which carried the subtitle The Modern Prometheus. No less than —who survives with the aid of machines—has predicted that we have 100 years to live before evolved machines take human imperfection as '. Kevin Lincoln, writing for Vulture magazine in an article titled 'What Other Blockbuster Villains Can Learn From David in Alien: Covenant', gave a strong endorsement of the depiction of David as an arch-villain in the film stating: ' one franchise is showing it's still possible for a modern blockbuster to have a great villain. In Alien: Covenant, David—the android played by Michael Fassbender, first introduced in Prometheus—comes into his own as a fleshed-out, dynamic, and genuinely striking antagonist, one who isn't just an equal match for the heroes, but even becomes the central thread of the series. He's a huge part of what makes Alien: Covenant work.' Writing for Vox, Allisa Wilkinson said that ' Alien: Covenant is too muddled to pull off its deeply ambitious Satan allegories'. She emphasized the demonic aspect of the android David, stating: 'But David is a better Satan than Satan himself It's as if in the Alien universe, the devil has evolved, thanks to humans creating him. David, fatally, has the ability to create—something Satan never had—and he will use that power only to destroy. He doesn't have any real need to rebel against his maker, since from the moment he became sentient, he knew he'd already won. He is indestructible, and determined to make creatures that imitate his drive for total domination.' Production [ ] Development [ ] In 2012, prior to the release of Prometheus, director Ridley Scott began hinting at the prospects of a sequel. Scott said that a sequel would follow Shaw to her next destination, 'because if it is paradise, paradise cannot be what you think it is. Paradise has a connotation of being extremely sinister and ominous.' Prometheus co-writer cast doubt on his own participation, and said, 'if [Scott] wants me to be involved in something, that would be hard to say no to. At the same time, I do feel like the movie might benefit from a fresh voice or a fresh take or a fresh thought.' Scott said that an additional film would be required to bridge the thirty-year span written as the transpiration gap between the Prometheus sequel and Alien. As of August 1, 2012, Fox was pursuing a sequel with Scott,, and involved, and was talking to new writers in case Lindelof did not return. In December 2012, Lindelof ultimately chose not to work on the project. Early on, Scott stated that the film would feature no, 'The beast is done. However, Scott later made contradictory statements, confirming the xenomorphs' presence in the film. On September 24, Scott disclosed the film's title as Alien: Paradise Lost. In November 2015, Scott revealed the new title to be Alien: Covenant, and filming was set to begin in February 2016 in Australia. An official logo, synopsis and release date were released on November 16, 2015. During an interview concerning the development of the character of David since Prometheus, Scott indicated the dark turn which David would take in Covenant, saying, 'He hates them. He has no respect for Engineers and no respect for human beings.' ' Writing [ ]. After the early participation of several screenwriters, John Logan wrote the final script for the film. The initial screenplay was written by screenwriter Jack Paglen in June 2013. In March 2014, was hired to rewrite Paglen's script. Dante Harper later wrote a new script but an extensive rewrite was performed by screenwriter. Logan had previously worked with Scott on. For Logan, the main concept was to adopt a dual plot line for the film which would combine the horror elements of Alien with the philosophical elements of Prometheus. He said, 'With Alien: Covenant, I just really wanted to write something that had the feel of the original Alien, because seeing that movie was one of the great events of my youth. It was so overpowering in terms of what it communicated to me and its implications, that when I started talking to Ridley about what became Alien: Covenant, I said, 'You know, that was a hell of a scary movie.' I wanted to write a horror movie because the Grand Guignol elements of Alien are so profound. We tried to recapture that with Alien: Covenant, while also trying to pay homage to the deeper implications of Prometheus. In terms of tone, pace, and how we chose to play this particular symphony, we wanted to create a really frightening movie.' Pre-production [ ] In late August 2015, Scott confirmed that he had started scouting the locations for the film. In October 2015, the Australian government attracted the production of the film, and of, to Australia by providing $47.25 million in grants. Woz Productions Ltd., a subsidiary of 20th Century Fox, visited, on March 28, 2016 for a, for filming in. Casting [ ] In August 2015, it was announced that the film would star Rapace and Fassbender, while was in talks to join the cast. That December, was cast in the lead role of Daniels; it was Waterston's second film alongside Fassbender, after 2015's., longtime collaborator with Scott, was confirmed to serve as the film's cinematographer. In 2016, Ridley Scott stated that would not reprise her role of Elizabeth Shaw. However, in June, it was announced that Rapace would shoot weeks' worth of scenes (though no new footage of hers appeared in the final film). In February 2016,,,,,,,, and Alexander England were reported to have joined the cast. In March 2016, newcomer also joined the cast. In December 2016, it was announced had been added to the film, as Captain Branson, husband to Daniels and captain of the Covenant. The role of Branson in the film was limited to a cameo appearance of the deceased captain. Production design [ ] In an article for Cinemablend from May 2017 titled 'Mythbusters' Adam Savage Toured The Set Of Alien: Covenant, And It's Wonderful', Connor Schwerdfeger included a five-minute short video of Savage's discussion of several of the props and stage sets used in the production design for the filming of different scenes from the film. In an article for The Hollywood Reporter on May 18, 2017 titled 'Alien: Covenant': How the Xenomorph Continues to Horrify Audiences Decades Later', Patrick Shanley interviewed the art director for the film, Damien Drew, and creature design supervisor, regarding the involvement of the and its representative Rick Schwartz as a consultant for the design of the realistic effects of the creatures and Xenomorphs appearing throughout the film. HBO First Look presented a 12-minute documentary of the production design and some of the stage sets used in the production of the film, including interviews with Scott and several leading actors in the film. The VFX supervisor Charles Henley summarized the several vendors that were used to support production of the visual special effects seen in the film when the selection process was discussed, stating: 'Both history and need guided the decisions on which vendors we used. Ridley had worked with MPC on many previous projects, in particular Prometheus for which I was MPC’s VFX supervisor as well as The Martian. There had a been a lot of great digital double and creature work done at MPC on recent projects so there was confidence they should be the lead facility. Framestore had recently worked with Ridley on space for The Martian, similarly Animal logic now had the original crew who did the holograms for Prometheus. Also as we were shooting in Australia there was good reason and incentives to use Australian-based companies and so Luma and Rising Sun came on board.' Filming [ ] on the film began on April 4, 2016, at in, New Zealand, and wrapped on July 19, 2016. On November 18, 2016, additional photography was scheduled to take place at in Hertfordshire. Effects houses Odd Studios and CreatureNFX provided the film's makeup and creature effects, respectively, while Australian-based effects house provided the film's digital visual effects. Approximately 30 people from CreatureNFX worked on the project for almost six months building animatronics. Actors wearing with animatronic heads were used to portray the aliens, and casting calls for the aliens specifically asked for people between the age of 8 and 40 who were skinny, very tall or very short, strong and physically agile, and preferably skilled in fast movement, acrobatics, dancing, gymnastics, contortion, and '-type performers.' Scott reported that the first cut version of Covenant after filming went to two hours and twenty-three minutes, eventually edited down to the two hours and three minutes of the released version. The eleven deleted scenes were reported to be planned for release on home media, though no news was given of the release of a possible director's cut of the film. Post-production [ ], the editor of the film, spoke of the structural difficulty of integrating the two story lines in the final editing of the film in an interview with the ProVideo Coalition stating: 'We moved some pieces around structurally dealing with when do we leave, what action or story beats on the planet and when to go back onto the spaceship. There were several longer beats between Farris and Tennessee trying to establish communication. Going back and forth too many times tended to make the journey to the Juggernaut and the Engineer's City belabored and tedious. We combined certain scenes between Farris and Tennessee, eliminated the walking and talking through the forest, getting the ground crew up the mountain quicker. Later on, after the attack in the Med Bay on the lander, we held back going back to Tennessee, for the part where he says: 'I never heard my wife so scared before', not after her death as scripted but after the second Neomorph birth as to not interrupt the momentum. The middle part of the film was more challenging after the reveal of David. Once the Covenant Story merges with the Prometheus storyline, finding the proper structural order of the scenes proved to be difficult because of the distinctive dynamics of the two story lines in addition to the separation of the two locations of the action. In one sense, the action, the tension and unfolding drama going from one group to the other had to be balanced and spaced properly as not to lose the connective tissue of the film.' Country [ ] A number of film reviews have published partial lists identifying a country or countries of origin of the film in spite of the film development and production being documented by multiple sources as occurring in several countries. The complete list of countries representing the origin of the film was identified by BFI at the Sight and Sound journal in supplementing the countries of origin list to four countries, United Kingdom, United States, Australia, and New Zealand, as a supplement to previous sources which had only identified one of the participating countries. Previous partial lists in journals indicating a country of origin often listed only one of the four countries involved in the development and production of the film (see sections above for Development and Production). Main article: The for Alien: Covenant was written by Australian musician and composer. Initially, was selected as the film's composer, but confirmed in November 2016 that he was no longer working on the film, stating that 'schedules and one's expectations of scoring a film don't always fit and this one wasn't going to work out.' When the first trailer was released in late 2016, it was at this time that Kurzel was revealed as the replacement for Gregson-Williams. Themes of 's original score to Alien were incorporated, as well as 's and Harry Gregson-Williams' score to Prometheus. A version of ' sung by Norwegian singer and songwriter was used in the first trailer, while another song, ', was used in an extended promotional footage featuring the character Daniels portrayed by Katherine Waterston battling a xenomorph. Additional song credits include: 'Theme from ' composed by, ', Scene 4: Entrance of the Gods into Valhalla' composed by, ' by, ' by Fred Gilbert, 'Ancient Flute', 'Life' and 'We Were Right' composed by, and '. Release [ ] Alien: Covenant premiered on May 4, 2017, at the in London. The film was released on May 19 in the United States, in 2D and IMAX 2D. It was originally set to be released on August 4, before being moved up. The film was released in on June 16, 2017, but is trimmed by 6 minutes, leaving the film total released length in China at 116 minutes. It is very likely that the move was due to usual censorship by the, because of the monstrous violence depicted in the movie and the removal of the David-Walter 'kiss' scene which was deleted due to censorship sensitivities in China. [ ] Alien: Covenant was released in Japan on September 15, 2017. Novelization [ ]. Fassbender's portrayal of two similar androids with different programming, David and Walter, was highly praised by reviewers. On website, the film has an approval rating of 68% based on 325 reviews, with an average rating of 6.3/10. The site's critical consensus reads, ' Alien: Covenant delivers another satisfying round of close-quarters deep-space terror, even if it doesn't take the saga in any new directions.' On, which assigns a normalized rating, the film has a score of 65 out of 100, based on 52 critics, indicating 'generally favorable reviews'. Audiences polled by gave the film an average grade of 'B' on an A+ to F scale, the same score earned by its predecessor. The film was praised for its visual aesthetic and design, cinematography, production design and the acting, with 's dual performance as androids David and Walter receiving acclaim. However, the plot, including the mix between monster violence, character motivations, and plot reveals, drew a more mixed response. Writing for, gave the film a positive review, praising the performances of its actors, and comparing it to other entries in the series, stating that the film is: 'a greatest-hits compilation of the other Alien films' freaky moments. The paradox is that though you are intended to recognise these touches, you won’t really be impressed unless you happen to be seeing them for the first time. For all this, the film is very capably made, with forceful, potent performances from Waterston and Fassbender.' Geoffrey McNab writing for found the film to be adequate in presentation and production, though not as strong in its writing, stating that Alien: Covenant: 'certainly delivers what you'd expect from an Aliens film—spectacle, body horror, strong -like female protagonists and some astonishing special effects—but there’s also a dispiriting sense that the film isn't at all sure of its own identity. The very portentous screenplay, co-written by John Logan (, ), throws in references to Shelley and Byron, Wagner and Michelangelo, and lots of philosophising about human origins and identity. In the meantime, the crew members pitted against the monstrous creatures are trying their darndest to blast them to kingdom come, just as they would in any run-of-the-mill sci-fi B movie.' Of said: ' Alien: Covenant is an interesting movie for all its interplanetary ranging, [it] commits itself above all to the canny management of expectations.' Trace Thurman, from, gave the film a mediocre review, noting that although watching Alien: Covenant will make viewers appreciate Prometheus more, 'this is a film that was made as a response to Prometheus critics but tries to appease fans of that film as well and it doesn’t fully work.' He also criticizes the overfamiliarity of the climax and underwritten characters. Of highly praised Alien: Covenant, giving it four out of four stars, and stating that the film's structure, although repeatedly borrowing from the Alien films, serves a purpose not unlike the or, 'where part of the fun lies in seeing what variations the artists can bring while satisfying a rigid structure.' He also emphasized that like previous films of the series, real-world logic should not be applied to the film, and '[i]nstead you have to judge it by the standards of a fever dream or nightmare, a - narrative where the thing you fear most is what happens to you.' Seitz later voted for the film in the film magazine as one of the five best films of 2017. Sequel [ ] In September 2015, Ridley Scott said he was planning two sequels to Prometheus, which would lead into the first Alien film, adding, 'Maybe [there will] even [be] a fourth film before we get back into the Alien franchise.' In November 2015, Scott confirmed that Alien: Covenant would be the first of three additional films in the Alien prequel series, before linking up with the original Alien and stated that the Prometheus sequels would reveal who created the aliens. The screenplay for the third prequel film, called Alien: Awakening, was written during production of Alien: Covenant and was finished in 2017, with production scheduled to begin in 2018. In March 2017, Scott said, 'If you really want a franchise, I can keep cranking it for another six. I'm not going to close it down again. In May, Scott announced that 's sequel to 's film had been cancelled. In a later interview, he said he would have participated as a producer but that 20th Century Fox had decided not to pursue the project. Ridley Scott has confirmed in an interview the return for the next film sequel of surviving engineers who were away from their planet while David had destroyed the indigenous population of their home planet. Michael Reyes, writing for Cinema Blend in July 2017, quoted Scott stating that if Sigourney Weaver could reprise her role as Ellen Ripley in the prequels, then 'Well we're heading toward the back end of the first Alien so [using CG] may be feasible. Ripley's going to be somebody's daughter, obviously. We're coming in from the back end. The time constraints of what's the time between this film, where we leave David going off heading for that colony, I think you're probably two films out from even considering her.' According to reports, there will be only one additional prequel film ( Alien: Awakening) before a soft reboot is made to the Alien universe, consisting of a new series of films with brand-new and original characters as well as a new setting. In the audio commentary for Alien: Covenant, Scott confirmed that a sequel to Alien: Covenant, tentatively referred to as Alien: Covenant 2, is being written by, with Fassbender, Waterston, and McBride reprising their roles. Scott also confirmed that the film will cap his prequel series, leading directly into the events of Alien. Michael Nordine, writing for Indiewire in October 2017, quoted Ridley Scott stating that Alien: Covenant 2 will focus more on the androids and A.I.' S as opposed to the xenomorphs. Scott said 'I think the evolution of the Alien himself is nearly over, but what I was trying to do was transcend and move to another story, which would be taken over by A.I.' The world that the A.I. Might create as a leader if he finds himself on a new planet. We have actually quite a big layout for the next one.' See also [ ] •. Archived from on 16 May 2017. Retrieved 3 November 2017. Retrieved 3 November 2017. Retrieved 19 October 2017. • ^ • Fleming Jr, Mike (12 September 2015).... Retrieved 15 September 2015. October 30, 2016. • Collura, Scott (interviewer) (interviewee) (24 December 2016). Alien: Covenant's Space Mission Revealed (Television production).. • Chris O'Falt (March 13, 2017)... Retrieved March 14, 2017. Retrieved 2017-03-01. • ^ Sneider, Jeff (February 22, 2016).. Retrieved February 22, 2016. Retrieved 2017-03-01. Retrieved 2017-02-28. • Patel, Rohan (April 2, 2017).. Comic Book Movie. Retrieved April 28, 2017. • Anderton, Ethan (December 9, 2016)... Retrieved December 10, 2016. October 29, 2016. • Noomi Rapace (26 April 2017). (YouTube video). 20th Century Fox. • Maddox, Gary (3 March 2017)... Retrieved 21 April 2017. • GhostMan and Demon Hunter Show (23 May 2017).. Shadow Nation (Podcast). Spreaker Podcasts Inc. Event occurs at 20:10. Retrieved 11 June 2017. • King, Lorelei. Retrieved 25 May 2017. • Edelstein, David.... Retrieved 26 May 2017. • Lincoln, Kevin. 'What Other Blockbuster Villains Can Learn From David in Alien: Covenant', Vulture magazine, 23 May 2017. • Allisa Wilkinson.,, 17 May 2017. • Chitwood, Adam (22 May 2017)... Retrieved 22 May 2017. • Trumbore, Dave (March 17, 2012)... From the original on June 16, 2012. Retrieved March 18, 2012. • Kit, Borys (March 17, 2011).... From the original on June 14, 2012. Retrieved March 18, 2012. • Chitwood, Adam (June 11, 2012).. Retrieved June 12, 2012. • Scott, Ridley (June 1, 2012)... Archived from on November 10, 2013. Retrieved June 17, 2012. Yeah, it's not the same planet at all. If there was a sequel to this, which there might be if the film is successful, there'll be two more of these before you even get to Alien 1. • McClintock, Pamela (August 1, 2012).. The Hollywood Reporter. Prometheus Global Media. Retrieved August 1, 2012. • Weintraub, Steve (December 19, 2012).. Retrieved December 20, 2012. • Falk, Ben (September 24, 2014).. Retrieved September 26, 2014. • ^ McKittrick, Christopher (May 19, 2017).. Retrieved May 22, 2017. • Han, Angie.. Retrieved 24 September 2015. • Perez, Rodrigo (November 13, 2015).. Retrieved November 15, 2015. • Chitwood, Adam (November 16, 2015).. Retrieved November 16, 2015. • 'RIDLEY SCOTT EXPLAINS WHY DAVID BOMBED THE ENGINEERS!,' THE ALIEN: COVENANT & PROMETHEUS MOVIE COMMUNITY, • Kroll, Justin (June 17, 2013).. Retrieved October 19, 2017. • Sneider, Jeff (March 24, 2014)... Retrieved October 19, 2017. Retrieved August 30, 2015. Minister for Foreign Affairs. October 22, 2015. Retrieved October 22, 2015. • Wroe, David; Knott, Matthew (23 October 2015).. The Sydney Morning Herald. Retrieved 26 August 2016. • Mack, Ben (March 30, 2016)... Retrieved March 29, 2016. August 2, 2015. Retrieved August 3, 2015. • Jaafar, Ali (December 17, 2015).. Retrieved December 23, 2015. 31 December 2015. • Fleming Jr., Mike (June 21, 2016)... Retrieved 21 June 2016. • Galuppo, Mia (February 22, 2016).. The Hollywood Reporter. Retrieved February 24, 2016. • Hipes, Patrick (February 25, 2016).. Deadline Hollywood. • Lincoln, Ross A. (February 25, 2016).. Deadline Hollywood. • Fleming, Mike (February 26, 2016).. Deadline Hollywood. Retrieved February 27, 2016. March 15, 2016. Retrieved March 15, 2016. • Jagernauth, Kevin (December 9, 2016).. The Playlist. Retrieved December 9, 2016. • Hicks, Corporal (December 9, 2016).. Retrieved December 9, 2016. Comic Book Movie. December 9, 2016. Retrieved December 9, 2016. • 'Mythbusters' Adam Savage Toured The Set Of Alien: Covenant, And It's Wonderful'.BY CONNER SCHWERDTFEGER.. • Patrick Shanley, MAY 18, 2017, 'Alien: Covenant': How the Xenomorph Continues to Horrify Audiences Decades Later,' The Hollywood Reporter.. • Alien: Covenant: First Look. Documentary short of the making of the film. • 'ALIEN – COVENANT: CHARLEY HENLEY – PRODUCTION VFX SUPERVISOR – MPC', by VINCENT FREI, 2 June 2017. April 8, 2016. Retrieved April 9, 2016. The Inquisitr News. April 4, 2016. Retrieved April 9, 2016. April 5, 2016. Retrieved April 9, 2016. • Smith, Sophia (April 8, 2016).. Retrieved April 9, 2016. • Hall, Jacob (July 20, 2016)... Retrieved August 18, 2016. November 18, 2016. 29 March 2016. Retrieved 2017-02-24. 15 June 2016. 28 January 2016. • ^ 'Alien: Covenant Has Very Few Deleted Scenes.' By Alex Leadbeater,. • 'ART OF THE CUT on Ridley Scott’s Alien: Covenant, with two time Oscar-winning editor, Pietro Scalia, ACE'. By Steve Hullfish, June 26, 2017. ProVideo Coalition journal. Sight and Sound. Retrieved July 6, 2017. Retrieved November 16, 2016. • Williams, Owen (March 15, 2016)... Retrieved August 6, 2016. • Hicks, Corporal (November 1, 2016).. December 25, 2016. • Brody, Richard (May 24, 2017).... Retrieved May 26, 2017. Retrieved May 26, 2017. Retrieved 2017-04-03. Retrieved May 7, 2017. Retrieved 2017-03-30. Retrieved 2017-05-10. • Perry, Spencer (November 16, 2015).. Retrieved November 17, 2015. February 28, 2016. • Liu, Charles.. China Film Insider. Retrieved 11 June 2017. Retrieved 24 August 2017. • Alan Dean Foster (2017). Alien: Covenant. 304 pages; Publisher: Titan Books (May 23, 2017); Language: English;. • Ward, Simon (2017). The Art and Making of Alien: Covenant. 192 pages; Publisher: Titan Books (May 23, 2017); Language: English;. • Alien: Covenant 2. 304 pages; Publisher: Titan Books (26 September 2017); Language: English;. • 'Here’s the Plot for Prequel Novel ‘Alien: Covenant – Origins’', by John Squires, 8 June 2017.. • Perry, Spencer (July 6, 2017)... From the original on July 26, 2017. • Brueggemann, Tom.... Retrieved 22 June 2017. • Chang, Justin (17 May 2017).... Retrieved 19 May 2017. The Tracking Board. Retrieved 19 May 2017. • ^ Nancy Tartaglione (May 14, 2017)... Retrieved May 14, 2017. Retrieved June 18, 2017. May 16, 2017. May 17, 2017. • Mendelson, Scott... Retrieved 2017-05-20. May 23, 2017. Retrieved May 28, 2017. • Franklin, Garth.. Retrieved 2017-05-29. • Scott Mendelson (June 4, 2017).. Retrieved June 5, 2017. Retrieved September 3, 2017. Retrieved September 3, 2017. Retrieved 19 May 2017. Retrieved 19 May 2017. Retrieved 19 May 2017. Retrieved 19 May 2017. • (6 May 2017)... • Geoffrey McNab.. The Independent (London). • (17 May 2017)... Retrieved 18 May 2017. Bloody Disgusting!. Retrieved 19 May 2017. • Seitz, Matt Zoller Seitz (15 May 2017)... Ebert Digital LLC. Retrieved 15 May 2017. 14 December 2017. Retrieved 16 January 2018. 23 September 2015. Retrieved 30 March 2017. 23 September 2015. Retrieved 30 March 2017. • Osborn, Alex (14 November 2015).... • Bulbeck, Pip (26 November 2015).... • Tilly, Chris; Singer, Leigh (11 November 2015).... • Maddox, Garry (3 March 2017). – via The Sydney Morning Herald. 3 March 2017. Retrieved 15 May 2017. • Pulver, Andrew (2 May 2017).... Retrieved 5 May 2017. • Hicks, Corporal.. • Youtube interview of Scott from June 2017.. • Reyes, Michael (1 August 2017).. Retrieved 3 September 2017. 21 July 2017. • Alien: Covenant - Audio Commentary •. 1 September 2017. • 'Ridley Scott Wants the Next ‘Alien’ Movie to Focus on Artificial Intelligence Instead of the Xenomorph.' Michael Nordine, Indiewire magazine, Oct 8, 2017.. External links [ ] • • on • at • at • at •. Alopecija – gubitak kose. Potrebna mi je vasa pomocu u vezi sa proredjenom kosom. 7 godina i poslednjih godina kosa mi se dosta proredila. The Space Between Us - Svemir Izmedju Nas. Ocjeni ovaj sadržaj. December 6, 2017, 9:39 am Download Why I'm Not on Facebook November 17, 2017, 11:06 am. Naziv originala: The Space Between Us Uloge: Gary Oldman, Janet Montgomery, Trey Tucker, Scott Takeda, Adande 'Swoozie' Thorne, Sarah Minnich, Ryan Jason Cook Trajanje: 2h Kvaliteta snimka: [720p] BluRay IMDb ocjena: 6.4 IMDb link: Synopsis In this interplanetary adventure, a space shuttle embarks on the first mission to colonize Mars, only to discover after takeoff that one of the astronauts is pregnant. Shortly after landing, she dies from complications while giving birth to the first human born on the red planet - never revealing who the father is. Thus begins the extraordinary life of Gardner Elliot - an inquisitive, highly intelligent boy who reaches the age of 16 having only met 14 people in his very unconventional upbringing. While searching for clues about his father, and the home planet he's never known, Gardner begins an online friendship with a street smart girl in Colorado named Tulsa. When he finally gets a chance to go to Earth, he's eager to experience all of the wonders he could only read about on Mars - from the most simple to the extraordinary. But once his explorations begin, scientists discover that Gardner's organs can't withstand Earth's atmosphere. Eager to find his father, Gardner escapes the team. DISCLAIMER: GledanjeFilmova.net DOES NOT! Stream videos or host content of any kind, the videos you watch are hosted and shown from sites such as YouTube, VideoMega, AllmyVideos, ShareSix, Filenuke, Ishared, TheFile, Vimeo, VideoWeed, VK, MegaVideo, VideoWood, DailyMotion, Zalaa, etc. Any videos shown on 3rd party websites have passed their own stringent internal vetting procedures and as such are assumed as fully authorized for publication by the content owners. GledanjeFilmova.net is not responsible for content of external internet sites and for the availability of such third party web sites. The content of such third party web sites is beyond our control. 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